Anthony Peyton Young, Girl in the Durag, 2022, graphite on paper, 11.75 x 8.25 inches

Gaze Interrupted: Shagha Ariannia, Sarah Palmer, Anthony Peyton Young, Mia Weiner, Jamil Hellu

September 17 - November 19, 2022

CULT Bureau
482-D 49th Street, Oakland CA

Artist Reception: Saturday, September 17, 6-8pm

Make Appointment


CULT Aimee Friberg and CULT Bureau are pleased to announce Gaze Interrupted, a group exhibition including works by Shagha Ariannia, Sarah Palmer, Anthony Peyton Young, Mia Weiner, and Jamil Hellu opening at CULT Bureau in Oakland (482-D 49th St) on September 17.  The works in Gaze Interrupted deconstruct the gendered unilateral gaze typical in Western art history and invite a conversation between subject and viewer, centering a gaze beyond the binary. The exhibition will be on view from September 17 to November 19, 2022, with an opening reception on September 17, from 6 to 8 p.m.

Working across painting, illustration, weaving, mixed media, and photography, the five artists showcased in Gaze Interrupted seek to not only dismantle the conventional straight white male gaze but to take it beyond: to queer the gaze, to femme the gaze, to look at sex and desire from the perspective of Black/queer intimacy and connection rather than physical objectification of cis-gendered bodies.

"The gaze"—historically understood as one that objectifies the heteronormative female form—has long represented women as sexual objects for the male viewer. Feminist film theorist Laura Mulvey coined the term "the male gaze" to bring awareness to the heterosexual, gendered quality of this unilateral gaze. Black and queer people have encountered a public culture rejecting or othering their desire and experience.

Gaze Interrupted presents five artists that interrupt that art historical and early feminist gaze to engage a deeper exploration of the queer, Black and femme gaze, to depict themselves or whomever they choose to depict, and to be self-performative for the camera when desired.

Through painting, drawing, and collage, Anthony Peyton Young explores identity, ancestry and memorialization. From his depictions of individuals killed by police, to intimate portraits of his friends and loved ones, or works that turn the gaze on the self, Peyton renders Black life and experience with a surrealistic and ecstatic lens. Seeking ways to memorialize and honor family traditions inform both pieces in Gaze Interrupted: Young’s Tigress is a powerful tribute to his mother and Girl in the Durag reimagines the quintessential Dutch Vermeer painting Girl with a Pearl Earring.

Raised in an authoritarian regime under government control and oppression, Iran-born, Los Angeles-based artist Shagha Ariannia examines the contrast between public and private behavior, and the desires quieted by societal norms. Ariannia’s paintings in Gaze Interrupted engage questions of vulnerability, doubt, desire, shame, love and awkwardness. In her recent series, and as depicted in the work Antony Sitting with Flowers, 2022, Ariannia uses her lover as a muse, shaping an auto-fictional narrative reminiscent of Orientalist paintings of the 19th century. Ariannia paints her subject in classical odalisque poses, inserting her agency over this history, and inverting the Western art historical master/muse power structure.

San Francisco born (and New York-based) artist Sarah Palmer explores a varied terrain of human vulnerability through her collaging, photographing and re-photographing. Palmer composes these layered, textural vignettes sourced from photographic diagrams of the body, rape-prevention manuals, historical photographs of dance, Sears catalogs, and found amateur erotic photographs, resulting in a centering of the feminine figure within surreal and reimagined contexts. Here, bodies are chaotically juxtaposed with textures of rugs, clenched fists, and heavy baroque drapery, calling into question the act of looking, and of hiding.

In Jamil Hellu’s Transience series, the multidisciplinary artist turns the camera entirely on himself. Both Fairy Tale and Mythos, two works from the series featured in (They) Gaze Interrupted, present Hellu using performance, movement and photographic representation to challenge binaries around sexuality. Gifted weaver Mia Weiner also explores issues of gender and human identity. Using photography to stage tableaus of entangled bodies, Weiner foregrounds our corporal connection to observing touch and pleasure depicted. With a rich sensuality to the material, Weiner mediates the image through her weaving on a Jacquard loom, resulting in tactile tapestries that evoke connection and the shared experience of bodies in intimacy.

Artist Biographies

Shagha Ariannia (b.1984, Tehran) is an interdisciplinary visual artist born and raised in Iran. Ariannia grew up in an authoritarian regime, where public behavior was under government control. As a result, her interests lie in the contrast between public and private behavior, examining the politics of the body and its desires in relation to sexual norms. Inspired by feminist writers such as Kathy Acker or Kris Kraus, as well the poets of Iran (Forough Farokhzad), Ariannia uses auto-fiction as a strategy for image making. Her practice at large continuously engages with questions of vulnerability and doubt, intimacy and desire, shame, love and awkwardness. Her works have been exhibited at the Vincent Price Art Museum, Meliksetian Briggs Gallery, University of California Irvine; LAXART; 18th Street Art Center; Commonwealth and Council; the Torrance Art Museum, Galerie der Hochschule, Braunschweig, Germany and Gallery MOMO, Capetown. She received her MFA from CalArts and BA from the University of California, Irvine. She is a 2016 recipient for the California Community Foundation Fellowship and attended Bemis Residency in Fall 2018.

Sarah Palmer (b. 1977, San Francisco) is a photography-based artist currently living in Brooklyn, NY. Her practice, based in the studio, envisions a wide-ranging and complex conversation about the physical and psychological worlds we inhabit, exploring such disparate topics as performative eroticism, environmental calamity, and photography’s complex relationship to representation. She received her BA from Vassar College and MFA in Photography, Video, and Related Media from School of Visual Arts. She was awarded the 2011 Aperture Portfolio Prize and has had solo exhibitions at Mrs. Gallery, NADA Miami, Aperture, and The Wild Project. Her work has been exhibited in recent years at Transmitter (Brooklyn, NY), Monti 8 (Latina, Italy), Rachel Uffner Gallery (NYC), Tiger Strikes Asteroid (Brooklyn, NY), and Launch F18 (NYC). Recent commissions include The New Yorker, The New York Times Magazine, and New Directions Press. She has been self-publishing a series of artist books since 2015, most recently including The Sweets of Pillage and Slipping Rose. She is currently the Interim Associate Director of BFA Photography at Parsons School of Design, and teaches in the Parsons BFA and MFA Photography programs.

Anthony Peyton Young (b. 1988, Charleston) is a Boston based artist born and raised in Charleston, West Virginia. Working primarily in painting, drawing, ceramics, and collage, Young’s work explore methods of memorializing, healing, family traditions, black/black queer intimacy, and the spaces we use to activate these actions. He earned his B.A. from West Virginia State University and his M.F.A. from School of the Museum of Fine Arts/ Tufts University. Young has won awards such as the School of the Museum of Fine Arts/Tufts University Traveling Fellowship and the Walter Feldman Fellowship for Emerging Artists. His work is included in the collection of the Museum of Fine Arts Boston, Simmons University, and Juliette Art Museum. He has also been featured in publications such as Gay Letter Magazine, New American Painting, Evergreen Review, and The Boston Globe. Young has presented his work at School of the Museum of Fine Arts, Bemis Center for Contemporary Arts, and Harvard’s Black Portraiture Conference.

Mia Weiner (b. 1991, Chicago). Responding to the historical textile, Weiner creates intimate declarations that explore identity, gender, and the psychology of human relationships. Mia received her MFA from the School of the Art Institute of Chicago (2020) and her BFA in Fiber from the Maryland Institute College of Art in 2013. Her work has been exhibited internationally including in New York, London, Berlin, LA, Miami, and Chicago. Mia is represented by Ochi Projects.

Jamil Hellu (b. 1976, Curitiba) employs a multidisciplinary art practice spanning photography, video, and site installations to explore themes of identity, visibility, cultural heritage, a shift beyond the binary. Navigating from a personal lens, his projects weave together strategies of performance and photographic representation to point to the tensions found in the evolving discourse about sexuality. Born in Brazil, Hellu holds a Masters in Fine Arts in Art Practice from Stanford University and a Bachelors of Fine Arts in Photography from the San Francisco Art Institute. His projects have been discussed in publications such as The New York Times, The Guardian, Artforum, and VICE. He is the recipient of the San Francisco Art Commission Artist Grant, Zellerbach Family Foundation Community Grant, Fleishhacker Foundation Eureka Fellowship, and the Kala Art Institute Fellowship Award. Hellu has held art residencies at the San Francisco Recology Artist-in-Residence Program, Headlands Center for the Arts, and the Cité Internationale des Arts in Paris. Public collections holding his work include the San Francisco Museum of Modern Art, CA; Cantor Center for Visual Arts, CA; Colorado Photographic Arts Center, CO; and Blanton Museum of Art, TX. He is a Photography Lecturer in the Department of Art & Art History at Stanford University. An active member in the San Francisco Bay Area arts community, Hellu serves as an advisory board member for Recology’s Artist-in-Residence Program. Hellu is represented by Rebecca Camacho Presents.

MIA WEINER The Serpent, 2020 Handwoven cotton and acrylic 44 x 103 in 111.8 x 261.6 cm $ 10,000.00
JAMIL HELLU Fairy tale, 2021 Digital Pigment Print 40 x 30 3/4 in 101.6 x 78.1 cm Edition of 3 plus 2 artist's proofs
JAMIL HELLU Mythos, 2021 Digital Pigment Print 44 x 30 3/4 inches Edition of 3 plus 2 artist's proofs
ANTHONY PEYTON YOUNG Girl in the Durag , 2022 Graphite on paper 11 3/4 x 8 1/4 in 15 3/4 x 12 in (framed)
ANTHONY PEYTON YOUNG Mirror, Mirror: The Black Beauty Shop, 2022 Graphite on paper
SHAGHA ARIANNIA Antony Sitting with Flowers, 2022 Acrylic on Canvas 48 x 36 in 121.9 x 91.4 cm
SHAGHA ARIANNIA Balancing Act, 2021 Acrylic and oil on canvas 20 x 20 in 50.8 x 50.8 cm
SARAH PALMER The Wind is No Home (Untitled 1), 2022 Pigmented inkjet print 26 x 22 in 66 x 55.9 cm Edition of 5
SARAH PALMER The Wind is No House (Untitled 2), 2022 Pigmented inkjet print 26 x 23 in 66 x 58.4 cm Edition of 5 plus 2 artist's proofs
SARAH PALMER Wind is No Home (Untitled 3), 2022 Pigmented inkjet print 26 x 21 in 66 x 53.3 cm Edition of 5
SARAH PALMER Red the Dilated Petals, 2021 Dye sublimation print on aluminum 12 x 8 in 30.5 x 20.3 cm Edition of 10 plus 3 artist's proofs
SARAH PALMER The Ancient Hours, 2021 Dye sublimation print on aluminum 12 x 8 in 30.5 x 20.3 cm Edition of 10 plus 3 artist's proofs
SARAH PALMER Darklight, 2021 Dye sublimation print on aluminum 10 x 8 in 25.4 x 20.3 cm Edition of 10 plus 3 artist's proofs
SARAH PALMER Blue the Day, 2021 Dye sublimation print on aluminum 8 x 10 in 20.3 x 25.4 cm Edition of 10 plus 3 artist's proofs


482-D 49th Street Oakland CA 94609

OAKLAND, CALIF. – Aimee Friberg, curator and founding director of CULT Aimee Friberg Exhibitions, is bringing a new art project to the San Francisco Bay area for the eighth anniversary of her gallery. A second CULT location, named CULT Bureau (482 D 49th Street, Oakland, CA), is slated to open to the public on November 10, 2021 from 6-8 PM, and will build upon CULT’s distinct focus to present cutting-edge, conceptual and experimental art and design by emerging and established artists and designers. Additionally, the new space will give seasoned and emerging collectors opportunities to connect with artists and artwork in an intimate and relaxed, salon-style environment. The gallery will be open by appointment.

"I am thrilled to open CULT Bureau on the eighth anniversary of the gallery," Friberg said. "This second location will be an opportunity to continue to innovate, champion the most forward-thinking artists of our day and create personal experiences for everyone who visits." CULT Bureau will open in Temescal Alley, a grouping of former horse stables from the early 20th century, which has become a retail destination in the Bay Area. The two pedestrian alleys are known for their carefully curated selection of locally owned boutiques, specialty shops and small businesses in the vibrant and historic neighborhood of Temescal, off of Telegraph Avenue. Given Oakland’s legacy of activism and status as an artistic creative hub, this is an aligned setting for the next stage of Aimee Friberg’s near-decade-long curatorial mission amplifying artists of diverse backgrounds.

The innovative project space will function beyond your average white cube gallery—operating as a nontraditional arts space to present group exhibitions within a livable, atelier-style environment. The inaugural exhibition Sapiens/Stories will feature artists who fashion personal mythologies through an exploration of environment, history and magic including Amy Lincoln, Amy Nathan, Bruna Massadas, Chris Fallon, Curtis Talwst Santiago, Dana Harel, Marcel Pardo Ariza, Marcus Leslie Singleton, Nicki Green, Masako Miki, Rebekah Goldstein, Ruxue Zhang and Sahana Ramakrishnan.

"Opening a second space allows me to play a greater part in democratizing the collecting process and bridging the conversation between Oakland, the Bay Area and the global art market." Friberg said. "CULT Bureau will allow me to build relationships between collectors and artists and create a more approachable, accessible experience with art, particularly for newer and younger collectors."

Friberg collaborated with SOLID, an architectural design firm located in New York, on the design of CULT Bureau. SOLID’s multidisciplinary projects span art, design and architecture, combining an insider knowledge of the art world and cultural sector with impeccable technical expertise and a thorough understanding of zoning, building code and historical preservation guidelines.

CULT Aimee Friberg Exhibitions is a contemporary art gallery for cutting-edge work by emerging and established artists, founded in November 2013 by curator Aimee Friberg. CULT bridges formal, conceptual and process-based investigations, across all media. Since its inception, CULT has quickly become the leading gallery in San Francisco for rigorous work that is both experimental and forward-thinking. CULT engages a broad Bay Area and international audience with programming that encourages artists, especially from underrepresented groups, to take risks with their work. CULT is committed to supporting international and local artists, through onsite residencies, institutional collaborations, and a nutritive dialogue with the Bay Area public. Conceived as a commercial gallery that would engage its audience beyond the white cube, CULT has quickly become renowned for its provocative exhibition programming, as well as unorthodox performances, critical dialogues between artists, curators, and critics and intimate dinners.

Aimee Friberg is an artist-curator and the founding director of CULT Aimee Friberg Exhibitions, which she launched in San Francisco in 2013. CULT presents cutting-edge work by emerging and established artists who bridge formal, conceptual and process-based investigations exploring the human condition. CULT’s exhibitions have been featured in Artforum, Frieze, Artsy, Art Practical, SFAQ/NYAQ, Art ltd, San Francisco Chronicle, 7x7 Magazine, KQED, Squarecylinder and Hyperallergic, among others. Prior to launching CULT, Friberg held various curatorial and film programming roles, including curating and producing public programs from 2005-2008 at San Francisco Museum of Modern Art. For more information, please visit

Currently Open by Appointment

Information & Appointments: (415) 238-7385 //

Media Contact: Jacqueline WayneGuite, Olu & Company (313) 407-2188 //

Sapiens / Stories

November 10, 2021 - January 29, 2022
Inaugural Opening Reception Wednesday, November 10, 6 - 8 PM

Amy Lincoln
Amy Nathan
Bruna Massadas
Chris Fallon
Curtis Talwst Santiago
Dana Harel
Marcel Pardo Ariza
Marcus Leslie Singleton
Nicki Green
Masako Miki
Rebekah Goldstein
Ruxue Zhang
Sahana Ramakrishnan

Bruna Massadas, Orb Fruit Tree, 2021 Acrylic on canvas 30 x 36 inches 76.2 x 91.4 cm
Chris Fallon, Loaded Compliment, 2021 Acrylic on canvas 24 x 18 inches
Marcel Pardo Ariza, Rosie, Cait and Kat, 2018 Mounted Inkjet print, ash artist frame, Pool Blue paint 53 x 53 inches
Masako Miki, Offerings - Green Reflection, 2021 Ink and Watercolor on Paper 24 x 32 inches
Sahana-Ramakrishnan, Self Portrait with Sea Snake, 2021 Oil on canvas 40 x 35 x 3 1/2 inches 101.6 x 88.9 x 8.9 cm
Sahana-Ramakrishnan, The Wrong Kind of Mermaid, 2021 Oil, acrylic, color pencil and graphite on canvas 12 3/4 x 10 3/4 x 2 1/4 inches 32.4 x 27.3 x 5.7 cm


Two Handfuls Of Silver Dust: Rhonda Holberton
April 27 - June 17, 2023

CULT Bureau: ECHO ECHO: Rachel Bridges and Ivan Bridges
March 2 - May 6, 2023


LEGACY: Binta Ayofemi, Adrian L. Burrell, Rachel Bridges, Ivan Bridges, Masako Miki, and Jean Isamu Nagai
January 18 - April 1, 2023

ZHIVAGO DUNCAN: Measuring Consciousness
September 15 - December 10, 2022

CULT Bureau: Gaze Interrupted
September 17 - November 19, 2022

AMY NATHAN: Slipknot Loophole
May 14 - August 26, 2022

Rebekah Goldstein: Welcome Home Stranger
March 19 - May 7, 2022

Sapiens / Stories at CULT Bureau
November 10, 2021 - April 30, 2022

Physics & Fiction
January 20 - March 12, 2022

Chris Fallon: Irresistible Deception
October 15 - December 18, 2021

Sapiens / Stories on 8-Bridges
October 7 - November 3, 2021

Masako Miki: New Mythologies
June 16 - October 12, 2021

Tales of Metamorphosis: Rebekah Goldstein, James Perkins, and Amy Nathan
June 3 - 30, 2021

Janus II - CULT's 7 Year Anniversary Exhibition
April 9 - May 20, 2021

Troy Chew: Yadadamean
October 17 - December 12, 2020

We’re all in this together
August 14 - October 10, 2020

Beyond Words
June 26 - August 29, 2020

Ritual of Succession
January 10 - March 28, 2020

Record of Succession at fused space
January 13 - March 27, 2020

AMY NATHAN: Glyph Slipper
September 13 - December 7, 2019

June 28 - August 3, 2019

April 20 - June 15, 2019

MASAKO MIKI: Shapeshifters
January 12 - March 23, 2019

November 30 - December 14, 2019

REBEKAH GOLDSTEIN: See You On The Flipside
September 8 - November 25, 2018

June 9 - July 28, 2018

March 2 - May 19, 2018

October 27, 2017 - January 20, 2018

January 10 – March 4, 2017

October 21 - December 10, 2016

NO SHOW MUSEUM: Yves Klein, Maria Eichhorn, Daniel Knorr, Etc.
One Night Only: Monday, October 17, 2016

DESIRÉE HOLMAN: Selected Works
September 17 - October 8, 2016

Facundo Argañaraz, Leah Guadagnoli, Desirée Holman, Kara Joslyn, Max Maslansky, Liz Robb, Tamra Seal, Emily Weiner, & Cate White

July 16 - August 20, 2016

PABLO DÁVILA: Ladies & Gentlemen,
We Are Floating In Space

May 13 - July 9, 2016

MASAKO MIKI: Conversations with Fox, Feather, and Ghost
March 4 - April 30, 2016

SUZY POLING: Total Internal Reflection
January 15 - February 27, 2016

DAN GLUIBIZZI: You Don’t Have to be Alone Tonight
November 6 – December 19, 2015

September 11- October 31, 2015

SEXXXITECTURE: Daniel Gerwin, Rebekah Goldstein, Roman Liška, Max Maslansky, May Wilson & Jake Ziemann
July 1 - August 1, 2015

May 1 - June 27, 2015

February 27 - April 25, 2015

PRINCE RAMA: How To Live Forever
January 25 – February 21, 2015

November 7, 2014 – January 16, 2015

September 12 – November 1, 2014

A PATTERN LANGUAGE: Michelle Grabner, Angie Wilson & Lena Wolff
June 20 - July 19, 2014

MICHELLE BLADE: Gathering Into Being
April 25th – June 7th, 2014

MIGUEL ARZABE: /*Reject Algorithms*/
March 7 – April 19, 2014

March 7 – April 19, 2014

& Rhonda Holberton

January 10 - February 22, 2014

UNSEEN: Miya Ando, Miguel Arzabe, Chris Duncan, Klea Mckenna & Dean Smith
November 10 - December 21, 2013

Past Off-Site Exhibitions

April 7 - May 26, 2018

Works by Miguel Arzabe & Juan Sorrentino

April 9 – May 17, 2015

EBB: Gina Borg and Chris Russell at Loczi Design
December 10, 2014