Troy Chew: Yadadamean

October 17 - December 5, 2020

CULT Aimee Friberg Exhibitions is pleased to announce Yadadamean, a solo exhibition of oil paintings by artist Troy Chew. The show is on view from October 17 to December 5, 2020 and an artist reception with timed entry will be held on October 17 from 2 to 6 p.m. Yadadamean marks Chew’s first solo exhibition with the gallery.

Chocolate cake, vanilla ice cream and Coca Cola presented together on a tabletop easily recalls a setup for celebration. Troy Chew’s portrayal of this assortment of delicacies, titled Yay Area, however, is a coded play on the lexicon of Hip Hop, slang terminology and Bay Area culture. Chew arranges the objects akin to scenes in Flemish still life paintings. By repurposing everyday items from the African Diaspora into fine art compositions, Chew’s paintings embody a smooth detachment from European painting traditions.

Yadadamean is a continuation of Chew’s Slanguage series—a reference to the colloquial speech rooted in Black linguistics. Yadadamean, a more efficient term for, “You know what I mean?” presents an assortment of terms and imagery born in the ‘Yay Area’, or Bay Area for the non-locals’ iteration. Chew’s still lifes provoke viewers to reflect on the historical exclusion of Blackness in Western art, despite the multitudinous facets of Black culture that have shaped mainstream aesthetics, culture and vernacular. The works recall the genesis and evolution of Hip Hop—created in the 1970s in South Bronx by youth who were excluded from the mainstream, it was a rebuttal to a system of social and economic inequality. Hip Hop, and countless other forms of Black creation, existed as incubation spaces for the sharing of stories and forming of Black communities.

Chew regroups the nuance of Black expression from Hip Hop, specifically Bay Area Hip Hop, and investigates the language used to speak about money, cars, women and drugs. Before mainstream acceptance, slang and weed were linked to the Black community as means of vilification and typecasting. Chew incorporates this slang, often criticized as ‘broken English,’ into his paintings through short and sometimes nondescript titles. By combining “high’' brow composition with pop culture imagery—such as broccoli, a basketball, Girl Scout Cookies and Yeezys—Chew elevates and embraces these everyday objects and works to reverse the stereotypes associated with them.

In Yay Area, an assemblage of party novelties is strewn on a reflective glass surface. In Ghost Rider, another assortment rests on asphalt. These surfaces parallel the ones found in Flemish still lifes, where tabletops existed as scenes of performance—themes of excess, gluttony, carnage and feasting commingled here with heaps of a timeless dietary temptation, bread. This trope is expanded in Ball Street Journal where loaves of bread lie next to cabbage, basketballs and paper.

Flemish still lifes were also replete with memento mori—reminders of death and decay. Likewise, Chew’s paintings allude to the mortality of language. The originators of Hip Hop developed a specific language to communicate shared experiences amongst others in their community. Language formed nurturing spaces; slang repurposed bread as the hustle for money while to outsiders bread remained a mealtime accessory. Yaddamean challenges this ongoing erasure—the proliferation and sometimes co-opting of language—with skillful iconography that recreates a safe space for language and culture.

Troy Chew is a California born and raised artist whose work explores the African Diaspora within urban culture. Recent solo exhibitions include Cushion Works and Guerrero Gallery in San Francisco and Parker Gallery, Los Angeles. Recent group exhibitions include California Winter, organized in collaboration with Hannah Hoffman at Kristina Kite Gallery, Los Angeles; Vanguard Revisited at San Francisco Art Institute; and Black Now(here), which exhibited at the Museum of the African Diaspora, San Francisco and Good Mother Gallery, Oakland. Chew was a Graduate Fellow Artist in Residence at the Headlands in 2018 and the Tournesol Award winner in 2019-2020. He has a Bachelor’s in Psychology from the University of California, Merced and a Master of Fine Arts from California College of the Arts - San Francisco. Chew lives and works in the San Francisco Bay Area.

Image credit: Troy Chew, Five on it, 2020, Oil on Canvas, 48 x 36 inches

Current

Troy Chew: Yadadamean
October 17 - December 5, 2020

We’re all in this together
August 14 - October 10, 2020

Beyond Words
June 26 - August 29, 2020

Past

Ritual of Succession
January 10 - March 28, 2020

Record of Succession at fused space
January 13 - March 27, 2020

AMY NATHAN: Glyph Slipper
September 13 - December 7, 2019

FEMALE TROUBLE 2
June 28 - August 3, 2019

RUXUE ZHANG
April 20 - June 15, 2019

MASAKO MIKI: Shapeshifters
January 12 - March 23, 2019

JASKO BEGOVIC (SKO HABIBI): HUMAN_E.T.
November 30 - December 14, 2019

REBEKAH GOLDSTEIN: See You On The Flipside
September 8 - November 25, 2018

FEMALE TROUBLE
June 9 - July 28, 2018

TERRI LOEWENTHAL: Psychscapes
March 2 - May 19, 2018

VECINOS
October 27, 2017 - January 20, 2018

RHONDA HOLBERTON: Still Life
January 10 – March 4, 2017

REBEKAH GOLDSTEIN: Release Me
October 21 - December 10, 2016

NO SHOW MUSEUM: Yves Klein, Maria Eichhorn, Daniel Knorr, Etc.
One Night Only: Monday, October 17, 2016

DESIRÉE HOLMAN: Selected Works
September 17 - October 8, 2016

SHE MOONAGE DAYDREAM:
Facundo Argañaraz, Leah Guadagnoli, Desirée Holman, Kara Joslyn, Max Maslansky, Liz Robb, Tamra Seal, Emily Weiner, & Cate White

July 16 - August 20, 2016

PABLO DÁVILA: Ladies & Gentlemen,
We Are Floating In Space

May 13 - July 9, 2016

MASAKO MIKI: Conversations with Fox, Feather, and Ghost
March 4 - April 30, 2016

SUZY POLING: Total Internal Reflection
January 15 - February 27, 2016

DAN GLUIBIZZI: You Don’t Have to be Alone Tonight
November 6 – December 19, 2015

FRANCESCO IGORY DEIANA: Haptic Render
September 11- October 31, 2015

SEXXXITECTURE: Daniel Gerwin, Rebekah Goldstein, Roman Liška, Max Maslansky, May Wilson & Jake Ziemann
July 1 - August 1, 2015

ADAM SORENSEN: In Situ
May 1 - June 27, 2015

KLARA KÄLLSTRÖM & THOBIAS FÄLDT: Village / High Hills
February 27 - April 25, 2015

PRINCE RAMA: How To Live Forever
January 25 – February 21, 2015

JOSEPH DUMBACHER & JOHN DUMBACHER: Divert (Out of Line)
November 7, 2014 – January 16, 2015

REBEKAH GOLDSTEIN: Passenger
September 12 – November 1, 2014

A PATTERN LANGUAGE: Michelle Grabner, Angie Wilson & Lena Wolff
June 20 - July 19, 2014

MICHELLE BLADE: Gathering Into Being
April 25th – June 7th, 2014

MIGUEL ARZABE: /*Reject Algorithms*/
March 7 – April 19, 2014

JACQUELINE KIYOMI GORDON: Drawings
March 7 – April 19, 2014

FRITZ CHESNUT: Purr Valley
& Rhonda Holberton

January 10 - February 22, 2014

UNSEEN: Miya Ando, Miguel Arzabe, Chris Duncan, Klea Mckenna & Dean Smith
November 10 - December 21, 2013

Past Off-Site Exhibitions

RHONDA HOLBERTON: Still Life 2
April 7 - May 26, 2018

LAS COSAS QUE PINTAN / PAINTING IN AN EXPANSIVE FIELD
Works by Miguel Arzabe & Juan Sorrentino

April 9 – May 17, 2015

EBB: Gina Borg and Chris Russell at Loczi Design
December 10, 2014